Thu, 25 February 2016
The tragedy of Flint, Michigan's water crisis seems to worsen with every newly uncovered detail. As a manmade public health crisis provoked by willful denial and compromised safety standards, the entirely preventable poisoning of Flint's water supply with lead stands not only as a failure to care for the citizens of one city, but as a dreadful harbinger for the U.S.'s deteriorating infrastructure networks. Like any concerned citizen, Filnt-based architect Kurt Neiswender sees this as a call to action to help any way he can. Kurt joins us on the podcast this week to discuss how architects might apply their skills to improve such a monstrous situation, and address the real limitations the profession has when it comes to these scenarios. |
Thu, 18 February 2016
We swear, no BIG or Trump on this episode. We discuss the donation of Lautner's breathtaking Sheats-Goldstein house, complete with jungle, nightclub and infinity tennis court, to the Los Angeles County Museum of Art, to become the museum's first acquired piece of architecture (along with a sizable endowment for maintenance). The U.S. saw a major step forward into the realm of driverless cars, as the National Highway Traffic Safety Administration told Google that its computers in autonomous vehicles could legally be counted as drivers, while the internet ogled Nissan's self-parking office chairs. It's also that time of year again, when the AIA announces the keynote speakers for its National Convention (check out our podcast on last year's convention in Atlanta), and this year's threw us for a loop – first, actor Kevin Spacey was named as Day 1 speaker, and praised for his "disruption" of "appointment television". Neri Oxman will give the Day 2 keynote, a very solid choice if not somewhat experimental for the AIA crowd. Then, a big kahuna – Rem Koolhaas was named Day 3 speaker, with a talk titled "Delirious Philadelphia" (where the Convention will take place this year). We mull over the rationale behind such a smattering of keynotes, and take a look back at prior keynotes. Lastly, we tackle a brazen piece by architect Duo Dickinson, that claims contemporary architecture has changed from a respectable, pragmatic profession into a lifestyle choice. |
Thu, 11 February 2016
Long-time Archinector and reliably sane commentator Will Galloway joins us from his base in Tokyo to discuss the weekly news, including his interview with Assemble, crucially taking place mere weeks before they won the Turner Prize. Otherwise, while news from Bjarke Ingels Group commanded the feistiest comment threads – with renderings of BIG's spiraling Hudson Yards tower provoking debate over craft in skyscrapers, and the firm being selected to design the Serpentine Pavilion for 2016 in their last last eligible year – the last week included big news for firms both star-studded and unknown. MoMA PS1 named Escobedo Solíz Studio as the 2016 winner of its Young Architects Program, for their "Weaving the Courtyard" submission, while Dame Zaha Hadid received her RIBA Gold Medal (the first woman to win solo). And for you planning wonks, we throw in a brief discussion of a controversial proposed ballot measure to halt big developments in Los Angeles. |
Thu, 4 February 2016
Virtual Reality is very much here, in all its messy, beautiful, uncanny glory. The gee-whiz factor notwithstanding, the technology holds a bevy of architectural applications and implications, and manages to hold a mirror up to the built environment to show us things that we couldn't understand before. This episode, we discuss a host of recent VR stories, from the narrative VR journalism of Emblematic Group to Thorsten Wiedemann's VR performance art, an AR helmet that streamlines the construction site and VR-value-added rendering services for firms. Joining us on this VR-trip is Rebecca Howard, freshly returned from New York where she developed video content for the Times, and helped them launch their entry into VR content. |
Wed, 3 February 2016
Back in December of last year, the Bi-City Biennale of Urbanism/Architecture launched in Shenzhen and Hong Kong, featuring an exhibition curated by Los Angeles-based critic Mimi Zeiger and designer Tim Durfee. Their show, “Now, There: Scenes from the Post-Geographic City,” winner of the Biennale’s Bronze Dragon, reconsiders what makes up today’s idea of a “city”, specifically regarding our digital and virtual presences, as well as contemporary issues of globalized economies. Mimi and Tim joined Paul and I in Archinect’s podcasting studio to talk about the exhibition, and introduce a discussion recorded in Shenzhen among the participants of “Now, There" and one of the Biennale’s curators, Aaron Betsky. Their conversation, “Where is now; When is then” makes up the meat of this Bonus Session. The exhibition features work by Besler & Sons, Walton Chiu, Tim Durfee and Ben Hooker (with Jenny Rodenhouse), John Szot Studio, m-a-u-s-e-r, and Metahaven, as well as texts by Joanne McNeil, Enrique Ramirez, and Therese Tierney. |